Philadelphia-area folk rock band formed in late 2009, rooted in Chester County and West Philly DIY scenes, known for high-energy live shows, rotating instrumentation, and emotionally charged songwriting.
The Hundred Acre Woods was a Philadelphia-area folk rock band formed in late 2009, rooted in the Chester County and West Philly DIY scenes. Known for high-energy live shows, rotating instrumentation, and emotionally charged songwriting, the band blended folk traditions with punk urgency and basement-show chaos.
Members frequently swapped instruments and vocal duties, incorporating banjo, mandolin, field organ, and electric guitar into sweaty house shows across Philadelphia, Newark (DE), and surrounding college towns.
Contemporary press regularly described the band as “rowdy folk,” positioning them somewhere between folk-punk energy and basement-show catharsis. Local coverage also confirms they opened for Ra Ra Riot at a free Bryn Mawr College show, which helps show how quickly they were moving beyond tiny rooms while still staying rooted in DIY spaces.
band portrait
live photo
flyer / scan
In a 2012 interview with The Temple News, the band described their sound as constantly evolving, shaped heavily by Philadelphia’s basement show culture. Recording sessions ranged from cabins in the Poconos to closets lined with cedar wood, emphasizing atmosphere over polish.
The Deli later featured the band around a live-acoustic “All I Love” session and noted their Tin Angel headliner with Former Belle and Steady Hands. A New Jersey Stage preview for their Asbury Lanes date called them “Philadelphia’s resident rowdy folk band” and tied that show to the “Where In The World Is Kooger San Diego” summer tour.
Earliest documented release. Demo-era material with early lineup credits including Kacey Stewart, Zack Reinhardt, Winthrop Stevens, and track-specific contributions from Pat Loundas and Nic Cutrona.
Documents Will Davis in the band by late 2010. Credits also include Zack Reinhardt and guest cellist Kerry Hensley. The song later appears on Mountaineers Are Always Free.
The band’s longest formal release. Notable for reusing “Lies Lie Lying” from the earlier demo era and documenting Nick DiPlacido on bass in the Pipebomb credits.
Important lineup marker: Evan Stout is credited on drums/percussion and Pat Loundas is fully in place on bass. This release helps show the transition from early flux to the more stable later band.
A later re-recording of the 2010 song. Features guest vocals by Jill Mallon and “pig squeals” by P.J. Carroll, making it one of the more specifically credited THAW recordings.
Charity split featuring The Hundred Acre Woods alongside Modern Baseball, Old Gray, and Julia Brown. THAW contributed “Base of My Heart.” Cover art credited to Liz Barr.
One of the clearest scene-connection documents on the page. Includes “All I Love” and “Left Of The Hill,” and Bandcamp credits tie this era to the five-piece lineup with Brandon “Kooger” Harrison on drums.
Standalone single release of “Pipebomb” shortly before Cold in the Morning. Useful as a late archival marker and another source for lineup credits tied to the earlier song.
Final major THAW release. Recorded at Uncle Drew’s Cabin in Greentown, PA and Mad Dragon Studios in Philadelphia. Mixed by Pat Loundas and Winthrop Stevens, mastered by Ryan Schwabe at Maniac Mansion, with cover art by Lynda Lucas.
Post-band archival upload surfaced by Zack Reinhardt. Not part of the original public-era discography, but important to document as a later-uncovered artifact tied to the band’s final years and aftermath.
Additional Contributors (directly from "Cold In The Morning" Bandcamp)
Trumpet on "Whiskey Thieves" — Bob Iacono
Trombone on "Whiskey Thieves" — Tyler Mack
Additional vocals on "Whiskey Thieves" and "Loose Parts" — Ruby Nightingale
Gang vocals on "Whiskey Thieves" and "Loose Parts" — Jeff Malt, Mike Hayes, Mike Belcuore, Sam Cruzado
Engineered by The Hundred Acre Woods. Mixed by Pat Loundas and Winthrop Stevens. Mastered by Ryan Schwabe at Maniac Mansion.
Recorded August 2012 at Uncle Drew's Cabin, Lake Paupack, Greentown, PA and December 2012 to February 2013 at Mad Dragon Studios, Philadelphia, PA
Cover art by Lynda Lucas at CCOOLL (ccooll.us)
Recordings: relatively strong. Most formal releases survive through Bandcamp or later uploads.
Show history: partial. Enough survives to map major years and tours, but many house-show dates and venues remain undocumented or only partially confirmed.
Press coverage: limited but useful. Temple News, The Deli, and New Jersey Stage are the clearest surviving coverage points.
Visual archive: partial. Cover art survives better than flyers and candid live photography.
This page documents known releases, interviews, performances, media, and surviving visual material. Like many DIY bands of the era, records are incomplete and actively being archived.